the good morrow paradox

The Good-Morrow by Donne, John at OnRead.com - the best online ebook storage. ‘A Hymne to God the Father’, but there is a seriousness and earnestness underlying all he writes, and it … There he can see his own face and he knows her face appears in his eyes as well. 6. In particular, she argues that Sharp's conclusions are incorrect, and that the actual words of the poem refer to a cordiform map showing a single world rather than one showing two worlds; "my face on thine eye", for example, not "eyes". Analysis of John Donne’s The Good Morrow By Nasrullah Mambrol on July 8, 2020 • ( 0). The Undertaking. In it, the speaker describes love as a profound experience that's almost like a religious epiphany. How fortunate, I too go east. [16] Much has also been made of Donne's references to compasses and maps in the third stanza. Of English , e-mail ashoke_ashoke@rediffmail.com John Donne stands out in the history were we not wean'd till then ? It is through advertising that we are able to contribute to charity. The Token. East, you say? A person or thing showing contradictory properties He is a paradox; you would not expect him in that political party. We need the past — good, bad, mythic, squalid — … The Good-Morrow. "The Good Morrow" by John Donne is an excellent example of this type of poetry. The first four lines introduce something about the speaker’s love. And true plain hearts do in the faces rest; Where can we find two better hemispheres. In the next line, he asks if they were “not weaned till then.” He does not believe the two were truly adults, separated from their mother’s milk until they met. The Good-Morrow. The final stanza of ‘The Good-Morrow’ begins with the speaker looking into his lover’s eyes. The air is still and golden. This is likely a reference to the medieval science of humors in which one’s health was determined by an equal mix of blood, bile, etc. The poem is generally considered to be one of Donne’s first. Throughout his poetry, Donne imagines religious enlightenmentas a form of sexual ecstasy. and ranks among his best known love poems. Their heartfelt connection is evident within their faces. Harold Bloom notes the intertwining of both sensual and spiritual love, arguing that Donne is suggesting that it is impossible for those buried in sensual love, "busying themselves in mundane matters", to experience true love. Saints are canonized for their renunciation of the world and its comforts. The Primrose. He knows now that any pleasure he has previously was fake. Which is an example of a paradox within the excerpt? Valediction to his Book. He does not expect a real answer. Their lives did not begin until they gave up “country pleasures.” They became more sophisticated and less dependent on childish pleasures. Did, till we lov'd? Example #2 – Cruel to Be Kind “You’ve gotta be Cruel to be kind in the right measure, Cruel to be kind it’s a very good … They all inquire into the state of his and his lover’s lives before they were known to one another. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. In the fourth line, he asks if they were sleeping like the “Seven Sleepers.” This is a reference to a story regarding seven children buried alive by a Roman emperor. It gives me, among other things, a sense of reassuring continuity. Analysis of John Donne’s The Good Morrow By Nasrullah Mambrol on July 8, 2020 • ( 0) The Good Morrow was first published in John Donne’s posthumous collection Songs and Sonnets (1633) and ranks among his best known love poems.) John Donne (1572-1631). Donne was born in London to a prominent Roman Catholic family but converted to Anglicanism during the 1590s. He describes how now, in their “good-morrow’ they will live in happiness together. The Spherical Image as the Central Paradox in Valediction: for Weeping In John Donne's "A Valediction: for Weeping," the speaker consoles his lover before leaving on a sea voyage and begs her not to cry. Donne's cartographic references in the third stanza have been the subject of much analysis, although academics have differed in their interpretation of their meaning and what the lines reference. In this case, he is comparing their faces to two hemispheres. The Legacy. A crocodile steals your son and promises to return him only if you can correctly guess what the crocodile will do with your son. Donne, one of six or seven children and a baptised Catholic during a time of strong anti-Catholic sentiment from both the populace and the government, would certainly have been familiar with the story. Donne the Cartographer: Mapping, Writing, and Female Agency in “The Good Morrow” and “A Valediction of Weeping” “A Hymn to God the Father”: John Donne’s Rediscovery of Faith; The Attitude Toward Death and Immortality of John Donne in “Death Be Not Proud” and Emily Dickinson in “Because I … Please support this website by adding us to your whitelist in your ad blocker. paradox (plural paradoxes ) 1. The Good-Morrow by John Donne: Analysis. Written while Donne was a student at Lincoln's Inn, the poem is one of his earliest works and is thematically considered to be the "first" work in Songs and Sonnets.. [2] After his father's death when he was four, Donne was, instead of being prepared to enter a trade, trained as a gentleman scholar; his family used the money his father had made from ironmongering to hire private tutors who trained him in grammar, rhetoric, mathematics, history and foreign languages. [5] This early poetry included "The Good-Morrow" as well as many other works which later went on to comprise his collection Songs and Sonnets, published in 1633, two years after his death;[6] "The Good-Morrow" is considered, in terms of its theme and maturity, to be the first of this collection's poems. ‘The good-morrow’ is a exemplary example of metaphysical conceit by John Donne, with the use of alliteration, allusion, amphiboly, assonance, enjambment, figurative language, hyperbole, imagery, … Explication of “The Good-Morrow” by John Donne The metaphysical poem, “The Good-Morrow” by John Donne is a sonnet in which Donne conveys the message that true love is a spiritual connection that two people share and no other thing can surpass it. This question and those which follow are rhetorical. It is also interesting to note how the stanzas are divided within the seven lines. It contains three stanzas with seven lines in each and follows a rhyme scheme of ABABCC. More importantly, it gave a way to draw a two-leafed, heart-shaped map that displayed only a single world; this interpretation would "reconcile and unify" the problems with interpreting "The Good-Morrow". Or snorted we in the seaven sleepers den? It is an interesting paradox that drinking a lot of water can often make you feel thirsty. Without sharp north, without declining west? His eyes are controlled by love, therefore everything he sees is transformed by his adoration. Poet John Donne was born on 21 January 1572. Robert L. Sharp argues that these references can be logically interpreted as yet another reference to love; the maps with which Donne would have been familiar were not the Mercator-style maps that are common in the modern era, but instead cordiform maps, which appear in the shape of a heart and allow for the display of multiple worlds, which Donne alludes to in lines 11 to 18. "The Good Morrow" philosophizes about the relationship between sexual and spiritual love, through allusions to theology and geography, and the use of a several metaphysical conceits. He uses this metaphor to make clear that their love is balanced physically and emotionally. [12], If our two loves be one, or, thou and I What ever dies, was not mixd equally;[9], This passage shows the speaker communicating to his lover that they have proceeded from their former "childish" pleasures to this moment, where their souls have finally awakened; something "miraculous" has happened, because the speaker feels the sort of love that Paul the Apostle claimed would only be encountered in heaven. It’s that you have to read one self-justifying chapter after another. In his work "The Good-Morrow," these issues are discussed through the use of poetic symbols. Please help me with the analysis of the WEAC selected poems 2021_2025. At the age of 11 he entered the University of Oxford, where he studied for three years. It is like the speaker has his lover were in stasis until they could be unearthed at the proper time and brought together. [14] Donne's emphasis on the importance of spiritual love can be seen from the biblical allusions; Achsah Guibbory states that the tone and wording of the poem is an intentional reference to Paul the Apostle's description of divine, agapic love; "At moments like these...eros merges with agape. The Good Morrow Stanza 2. The poem makes use of biblical and Catholic writings, indirectly referencing the legend of the Seven Sleepers and Paul the Apostle's description of divine, agapic love – two concepts with which, as a practising Catholic, Donne would have been familiar. Elizabeth was soon remarried to a wealthy doctor, ensuring that the family remained comfortable; as a result, despite being the son of an ironmonger and portraying himself in his early poetry as an outsider, Donne refused to accept that he was anything other than a gentleman. He is often flippant, e.g. “The Good Morrow” is an aubade—a morning love poem—written by the English poet John Donne, likely in the 1590s. [9], In this passage, the speaker experiences a sense of wonder, having awoken in bed with his lover; he makes the discovery that their love makes finding "new worlds" pale in importance. The Paradox. ! The poem concludes with the speaker stating that their love is balanced like a healthy body. This will help the readers unravel the beautiful meaning behind the complex metaphysical conceit in this poem and once that barrier is done away … We respect your privacy and take protecting it seriously. [13], A love poem, "The Good-Morrow" is thematically centred on several concepts. My face in thine eye, thine in mine appears. “The Good-Morrow” is a poem of twenty-one lines divided into three stanzas. Let sea-discoverers to new worlds have gone, Let us And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Without further ado, here are ten of our favorite mind-bending paradox-exploring feature films. Light and Sight in The Good-Morrow John Donne’s poetry deals with themes of creation and discovery. But sucked on country pleasures, childishly? Literature is one of her greatest passions which she pursues through analysing poetry on Poem Analysis. Love so alike, that none doe slacken, none can die. Today I did not take time to explain the Seven Sleepers in Donne’s “Good Morrow.” It is a long story, but I want you to have it, so here it is from The story is found in book fou… The last three lines speak on how a lack of balance can cause death. The speaker drives home their disinterest with a cute paradox that goes back to the "worlds on worlds" of line 13: he has his own world (his lady friend) to explore all by himself, but he's also a world himself, ready to be explored. The summer trees are fat with their foliage. The Prohibition. Please log in again. The Good Morrow was first published in John Donne’s posthumous collection Songs and Sonnets (1633) and ranks among his best known love poems.Critics have developed various theories regarding the poem’s symbolism, many relating to the Platonic theory of love. ‘The good-morrow’ is a exemplary example of metaphysical conceit by John Donne, with the use of alliteration, allusion, amphiboly, assonance, enjambment, figurative language, hyperbole, imagery, metaphors, metonymy, onomatopoeia, paraphrasing, paradox, repetition, symbolism, syncope and use of tone quite prevalent within this tightly structured aubade. The Good-Morrow ’ by John Donne is a sonnet that describes the state of perfect love in which a speaker and his lover exist. And now good-morrow to our waking so u ls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room an everywhere. An apparently true statement that appears to lead to a contradiction or to circumstances that defy intuition. [9], This refers to the Seven Sleepers, the Catholic legend of seven Christian children, persecuted for their faith during the reign of the Roman emperor Decius, who fled to the shelter of a cave where they slept for more than 200 years. Join the conversation by. Did, till we loved? The Good Morrow – John Donne The poem Good Morrow is an aubade a morning song sung by the lover after the night of lovemaking. The poem is primarily to do with evolving love; the movement from pure lust, in the first stanza, to a nascent and evolving spirituality which liberates the lovers because they no longer "watch each other out of fear" but can instead see clearly. He speaks of a small room that contains everything on earth. 2. The Good Morrow, by John Donne, is a candid depiction of a lover contemplating their spiritual and sensual awakening after sexually uniting with their beloved. He parallels the sense of fulfillmentto be derived from religious worship to the pleasure derived fromsexual activity—a shocking, revolutionary comparison, for his time.In Holy Sonnet 14 (1633),for example, the speaker ask… [18], Julia M. Walker, writing in The Review of English Studies, notes that Sharp's work is "essential to an intelligent discussion of this extended image", but disagrees with his conclusions. This poem is an aubade or poem of the morning, in the poet’s words, to his beloved after a satisfying night of lovemaking. "The Good-Morrow", although identified by Donne as a sonnet, does not follow this structural layout, although it does follow the thematic one; Donne used "sonnet" simply to refer to any piece of love poetry, ignoring the fact that "The Good-Morrow" was a 21-line work divided into three stanzas. Twickenham Garden. [12] Alfred W. Satterthwaite, writing in The Explicator, argues that the story of the Seven Sleepers itself contains this theme; in the story, the Sleepers awoke to find themselves "thunderstruck" in their new environment, something analogous to "the radiant revelation love grants to the lovers in the poem". The explorers can go out and claim anything and everything they want to. The Will. It is the combination of their emotions that keeps them together. Literary elements such as conceit, allusion, paradox, irony are often found in this type of poetry. The God paradox is a good example of a philosophical problem. for who can say Hee was kill'd yesterday? I know it is a Metaphysical poem, but I have had that many different explanations of what Metaphysical is I'm getting confused! Karen Mowat-Suite (1989) The Shadow (1990) Odyssey (1993) The Shadow (released 1990 in Oslo, Norway on the KKV label - FXCD93) is an album by Norwegian pianist Ketil … In the following lines, the speaker is proving that any temptation outside is worthless. Literary elements such as conceit, allusion, paradox, irony are often found in this type of poetry. Up until they came together they were like children suckling from their mother’s breasts. The Good-Morrow by John Donne (died 1631) “.. "If ever any beauty I did see, Which I desired, and got, ’twas but a dream of thee...” My face in thine eye, thine in mine appears..” The wording here is a forerunner of Emily Brontë’s “He's more myself than I am. Written while Donne was a student at Lincoln's Inn, the poem is one of his earliest works and is thematically considered to be the "first" work in Songs and Sonnets. What's your thoughts? God is good, the rain has stopped. Do NOT follow this link or you will be banned from the site. They were either too young or too obsessed with sex, way different than what they are now: truly, maturely in love. The Good-Morrow by John Donne About The Author Andrew Walker More from this Author Andrew joined the team back in November 2015 and has a passion for poetry. John Donne, a wealthy ironmonger and one of the wardens of the Worshipful Company of Ironmongers, and his wife Elizabeth. About “The Good Morrow” This poem was written by John Donne when he was married to Anne Moore. Let sea-discoverers to new worlds have gone. The Good-Morrow - Please Help!! There is no “sharp north” or “declining west.” Donne’s speaker sees himself and his lover as soulmates, they are the other’s missing half. The Good Morrow, a poem written by John Donne, gives a vivid, detailed, narration of the form of love many of us drastically seek to unearth. [3] After study at Hart Hall, Oxford, Donne's private education eventually saw him study at Lincoln's Inn, one of the Inns of Court, where he occupied his time with history, poetry, theology and "Humane learning and languages". Structure and versification in The Good-morrow Stanza form. During this period his professions of love for her were a recurrent theme. But suck'd on countrey pleasures, childishly? The next three lines make use of anaphora with the repetition of the starting word “Let.” The speaker is telling his lover that now that he has this relationship the rest of the world means nothing. The poet addresses the woman he loves as they awaken after having spent the night together. And makes one little roome, an every where. He was also a cleric in the Church of England. So search away, and if we don’t have the ones you are looking for you can request them here: https://poemanalysis.com/poetry-analysis-request/ we have a paid service if you need it quickly, although if it is on the Syllabus and we don’t have it, it will probably end up being a priority. John Donne was never canonized by … Or snorted we in the Seven Sleepers’ den? The third paradox conveys Romeo’s exasperation over how something so beautiful could create such a mess. It is attributed to the ancient Greek seer Epimenides (fl. Robert L. Sharp, writing in Modern Language Notes, argues that these references can be logically interpreted as yet another reference to love. This paradox is often known as the ship of Theseus. [15], Some scholars, such as William Empson, maintain that the poem also indicates that Donne seriously believed in separate planets and planes, and also the existence of more than one Christ – a belief that Donne later abandoned. Thomas Garble's promotiori of Sir Robert Peel as a … Originating in the 14th century works of Petrarch, the most common form of the sonnet is known as the Italian Sonnet: a stanza of eight lines in which the writer lays out a complex thought, followed by a pause and a six-line conclusion "which is characteristically both unpredictable and intense". ‘The Good Morrow’ and The Holy Sonnets. Up until they came together they were like children suckling from their mother’s breasts. The essential distinction is thus that, while both interpret Donne's work as referencing cordiform maps, Sharp sees it as referencing a map showing two worlds, while Walker maintains that the reference is to a map showing only one. The Good-Morrow By John Donne About this Poet The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. Emma graduated from East Carolina University with a BA in English, minor in Creative Writing, BFA in Fine Art, and BA in Art Histories. THE PARADOX OF PEEL AS CARLYLEAN HERO* JOHN MORROW Victoria LTniversiQ of Wellington ABSTRACT. This is a very unique pattern of rhyme that is only made more interesting by the varying pattern of the meter. The Sun Rising. Which I desired, and got, ’twas but a dream of thee. By John Donne. Their perfect balance is accomplished due simply to the presence of the other. There is no reason for him to leave the bedroom he shares with his lover. Lines 8-9 And now good-morrow to our waking souls, Which watch not one another out of fear; The "and now" at the beginning of this stanza signals that the introduction is over and we're getting down to the real meat of the poem: the waking souls. The stanza form is regular, each stanza consisting of seven lines, and rhyming ababccc. This is my play’s last scene by John Donne, https://poemanalysis.com/poetry-analysis-request/. And now good-morrow to our waking souls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room an everywhere. [9], While the version found in Songs and Sonnets includes this passage as the last two lines, other manuscripts and a later volume of poetry give the last lines as, "If our two loves be one, both thou and I/Love just alike in all, none of these loves can die". What the freak did we do before we were, like, in a relationship? The poem begins with the speaker noting how his life, and his lover’s, did not truly begin until they met. Love so alike, that none do slacken, none can die. He does do a good job of handling the sport/business paradox that’s part of any history of baseball. The final three lines of the stanza answer his previous questions. Their emotional and physical states are connected so deeply that nothing can go wrong. "The Good Morrow" Lib-Guide The Good Morrow Analysis Study Questions Stanza 1: In the opening quatrain (four lines), Donne uses four rhetorical questions. 4. I wonder by my troth, what thou and I Did, till we loved? T'was so; But this, all pleasures fancies bee. Let sea-discoverers to new worlds have gone, When Donne uses irony, paradox, and hyperbole including the use of round images such as ... and like in "The Good Morrow" their two worlds become one, where the power of love binds the two hemispheres (in "The Good Morrow") or globes (in "A Valediction: Show More. The Good-morrow The Anniversarie The Sunne Rising The Canonization Aire and Angels Loves Growth Loves Infiniteness A Lecture upon the Shadow The Dreame Loves Alchymie Farewell to Love Twicknam Garden A Nocturnall [19], https://en.wikipedia.org/w/index.php?title=The_Good-Morrow&oldid=986221785, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 October 2020, at 14:54. Explication of “The Good-Morrow” by John Donne The metaphysical poem, “The Good-Morrow” by John Donne is a sonnet in which Donne conveys the message that true love is a spiritual connection that two people share and no other thing can surpass it. Woman's Constancy. One answer is that God could make it so he can't lift the mountain by his own choice. Or snorted we in the Seven Sleepers' den ? On Fourth of July weekend, I am rereading David Reynolds' splendid book "Walt Whitman's America" (1995). "The Good-Morrow" is written from the point of view of an awaking lover and describes the lover's thoughts as he wakes next to his partner. The paradox Donne treats physical love as if it were divine love. "[S]ouls" also awake, not just bodies, "as if called by love from the sleep of ordinary life and mere lust". For love, all love of other sights controls. This section has some answers to this paradox. Good morrow, my friend. There are no “two better” in the universe. ... Benvolio: I pray thee, good Mercutio, let's retire: The day is hot, the Capulets abroad, ... nor so wide as a church door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man. Donne’s ‘The Good Morrow’ - its metaphysical characteristics & other critical issues Dr. Ashoke Kumar Agarwal, Associate professor, Dept. John Donne was known for being a metaphysical poet who lived in the 1500's. In the first stanza of ‘The Good-Morrow’, the speaker begins with three questions. His whole life is driven by it, therefore he has no reason to want anything outside of their small bedroom. The Good-Morrow I WONDER by my troth, what thou and I Did, till we loved ? But what is ‘The Good-Morrow’ actually about? were we not wean'd till then? Ads are what helps us bring you premium content! Were we not weaned till then? The Indifferent. The maps Donne would have been familiar with are not the Mercator-style maps, but instead cordiform maps, which appear in the shape of a heart. There will be no need to “watch…one anther out of fear.” Their relationship is perfect. [11], My face in thine eye, thine in mine appeares, was the most outstanding of the English Metaphysical Poets and a churchman famous for his spellbinding sermons. Rather than dying, they slept through their long entombment to be found almost 200 years later. The paradox is, narrowly speaking, that total savings may fall even when individual savings attempt to rise, and, broadly speaking, that increase in savings may be harmful to an economy because while individual thrift is generally averred to be good for the economy, the paradox of thrift holds that collective thrift may be bad for the economy. In the same way, the lovers have renounced the material world. And true plain hearts do in the faces rest, "The Good-Morrow" is a poem by John Donne, published in his 1633 collection Songs and Sonnets. This is an explication and analysis of John Donne's Metaphysical poem "The Good Morrow" from the point of view of stylistics, metrical and rhetorical criticism. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one. "The Good Morrow" by John Donne is an excellent … Hi, I am currently writing an essay on this poem but I am finding it really difficult to understand and get into. It’s that you have to read one self-justifying chapter after another. What overriding idea is he exploring with this series of questions. Elements of Plato in John Donne's The Good Morrow There are clear Platonic elements in Donne's "The Good Morrow." The lover's musings move from discussing sensual love to spiritual love as he realises that, with spiritual love, the couple are liberated from fear and the need to seek adventure. "The Good-Morrow" is a poem by John Donne, published in his 1633 collection Songs and Sonnets. Structure and versification in The Good-morrow Stanza form The stanza form is regular, each stanza consisting of seven lines, and rhyming ababccc. We’ll conclude this short introduction to, and analysis of, ‘The Good-Morrow’ with a few more glosses which readers may find of interest. The poem begins with the speaker noting how his life, and his lover’s, did not truly begin until they met. It is a shame we must part ways, with so much left untold. The second stanza is structured in a similar way in which the first four lines introduce a reader to another aspect of the relationship. Art of Worldly Wisdom Daily. The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. [7] Academics also see the poem as a more general allegory of the evolution of minds from childishness, as typified by the first stanza where the lovers "suck'd on country pleasures, childishly", towards a more mature form of love. The Triple Fool. Let us possess one world, each hath one, and is one. Although referred to as a sonnet, the work does not follow the most common rhyming scheme of such works—a 14-line poem, consisting of an eight-line stanza followed by a six-line conclusion—but is instead 21 lines long, divided into three stanzas. It has also been categorized as a sonnet even though it stretches to twenty-one lines rather than the traditional fourteen. Julia M. Walker, while noting that Sharp's work is "essential to an intelligent discussion of this extended image",[1] disagrees with his conclusions and argues that Donne is actually referring to a map showing one world. Will you suffer an old frail man on the road with you? The Good Morrow by John Donne line by line explanation and summary in Hindi - Duration: 14:19. This is an explication written for English 271 on John Donne’s “The Good Morrow. The Good-Morrow by John Donne: Analysis. In the first stanza, Donne likens himself and his lover to the Seven Sleepers, who were seven Christians sealed in a cave by the Roman Emperor Decius – who had a penchant for persecuting Christians – in around the year AD 250. Or snorted we … The majority of the lines contain ten syllables but each stanza ends with a line of twelve syllables. Let maps to other, worlds on worlds have shown. Related. The c-rhyme is a little suspect at times- ‘gone', ‘showne', ‘one' are more eye rhymes than sound ones. The Good-Morrow, by John Donne, chiefly deals with a love that advances further from lusty love to the spiritual love.… View credits, reviews, tracks and shop for the 1990 Vinyl release of The Shadow on Discogs. SINGH ONLINE CLASSES 14,472 views 14:19 1. After logging in you can close it and return to this page. Without sharpe North, without declining West? Subscribe to our mailing list and get new poetry analysis updates straight to your inbox. The next lines continue to refer to their bodies/ Donne makes use of conceit, one of the techniques for which he is the best know. He will be happy to “possess one world” in which they have one another. Every single person that visits PoemAnalysis.com has helped contribute, so thank you for your support. In the next stanza, he describes how there is no way for their love to fail because it controls everything he sees. He was born in 1572 to Roman Catholic parents, when practicing that religion was illegal … This variation was likely done to maintain a reader’s engagement with both the narrative and the text itself. But suck'd on country pleasures, childishly ? He wonders allowed, addressing his lover, what “by my troth” (or what in the world) they did before they loved. [6] This was interlinked with the idea of courtly love, in which the goal of a romance is not simply passion, but a more significant moral perfection.

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